LA DIOSA IMPURA ("The Impure Goddess")- 2012
www.ladiosaimpura.com
Inspiration refers to an unconscious burst of creativity in a literary, musical, or other artistic endeavour.
The Greeks used to practice divine rituals and believed that inspiration came from the muses, as well as the gods.
In Homer’s Odissey, written in 800 B.C.E, a poet says that his songs were put inside his heart by the gods.
ARTISTS
MARIANO CRUCETA (dancer)
CAROLINE PLANTÉ (flamenco guitarist)
PEDRO OBREGÓN (flamenco singer)
DJ J. GODINO (D.J.)
With the special collaboration of MARCEL PLANTÉ “EL RUBIO”
Click HERE to see the PDF file in spanish
Click HERE to see the PDF file in english
www.ladiosaimpura.com
Inspiration refers to an unconscious burst of creativity in a literary, musical, or other artistic endeavour.
The Greeks used to practice divine rituals and believed that inspiration came from the muses, as well as the gods.
In Homer’s Odissey, written in 800 B.C.E, a poet says that his songs were put inside his heart by the gods.
ARTISTS
MARIANO CRUCETA (dancer)
CAROLINE PLANTÉ (flamenco guitarist)
PEDRO OBREGÓN (flamenco singer)
DJ J. GODINO (D.J.)
With the special collaboration of MARCEL PLANTÉ “EL RUBIO”
Click HERE to see the PDF file in spanish
Click HERE to see the PDF file in english
|
|
|
|
|
|
|
|
AUTHOR, DIRECTION & CHOREOGRAPHY
MARIANO CRUCETA MUSICAL COMPOSITION CAROLINE PLANTÉ MUSICAL PRODUCTION MARIANO CRUCETA LIGHTNING DESIGN AGUSTIN ESPINEL STAGE DIRECTION MARIANO CRUCETA & AGUSTÍN ESPINEL DESIGN OF THE CHAIR “LA DIOSA IMPURA” MARIANO CRUCETA & ANDRÉS GODINO CARPENTRY HERMANOS BLANCO AUDIOVISUALS PRE-PRODUCTION & EDITION MARIANO CRUCETA |
AUDIOVISUALS EDITING POST-PRODUCTION
Palero & Lambán for i-Tek .es IMAGE LUC LAFLAMME, OGNIAN GUEORGUIEV & ADRIANA VERBERT AUDIOVISUALS MUSICA CAROLINE PLANTÉ VOICE OVER MARIANO CRUCETA SOUND JAVI USTARA COSTUMES STÉPHANIE RODRIGUE & LA CIE CRUCETA FLAMENCO STAGE MANAGER ESTHER REY PRODUCTION CRUCETA FLAMENCO WITH THE SUPPORT OF THE CONSEJERÍA DE CULTURA Y DEPORTE DE LA COMUNIDAD DE MADRID. |